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ADRIAN PAGAN PLAYWRIGHT AWARD

The King's Head Theatre is pleased to announce the 2015 Adrian Pagan Award.

This year the award is open to anyone who has not been professionally produced more than once.

We are looking for A good story, well told, that communicates bold ideas, is relevant to our times, and engages in some way with the live nature of theatre.

The winning writer’s script will be produced at the King’s Head Theatre.

Deadline for submissions is 10.00AM on 2 February 2015.

For details on how to submit, please download our
Guidelines document and follow the instructions found within. Please also complete an Equal Opportunities Monitoring form and submit it with your script.

This year's panel of judges:

Tess Berry-Hart
Playwright, Someone to Blame and SOCHI 2014; and novelist, Escape from Genopolis

Audrey Sheffield
Freelance Theatre Director. Co-facilitator for NT New Views London Hub and NT Connections Festival Director 2015, National Theatre. Currently Assistant Director on Electra, Old Vic Theatre

Paul Sirett
Playwright, Dramaturg & Associate at Ambassador Theatre Group, RADA & Soho Theatre

Phoebe Waller-Bridge

Olivier Award-nominated writer and performer, Fleabag; Co-Artistic Director, Drywrite

and

Adam Spreadbury-Maher

Artistic Director, King's Head Theatre

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Click here to read The Stage's coverage of the Adrian Pagan Playwright Award.
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ADRIAN PAGAN


The playwright Adrian Pagan was educated at Charterhouse, the Sorbonne, Imperial College London, and RADA, where he trained in stage management. He worked as a stage manager at the Bush theatre, west London, in the mid-1990s. He shone for his wit, intelligence and understanding of the creative processes that bring a new play to life.


Meanwhile, he was privately hard at work on a play of his own. His career changed direction when he won the Verity Bargate award for The Backroom in 1996. Soho Theatre produced the play in a new writing festival at the Pleasance theatre in 1998, and it was picked up and further developed for a fully-fledged production at the Bush Theatre in the summer of 1999. It was a beautifully acted and directed production of a beautifully crafted play, which packed the Bush to the rafters.


Its success resulted in Adrian getting the call to move from theatre into television. He cut his TV writing teeth on Family Affairs and Night and Day before moving on to those small-screen institutions The Bill, Where the Heart Is and Holby City.


At the time of his death in 2007, aged 39, he was working on numerous new projects, including a series adaptation of The Backroom, a return to stage drama, and even a panto for the alternative cabaret venue at the Royal Vauxhall Tavern.


The Backroom was described variously by critics as "disgracefully funny", "refreshingly non-judgmental", "flash and funny" and as having "much winning tenderness" and "flawless comic shine". The play was revived in a sell-out extended season which opened The Cock Tavern Theatre in 2009.